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 * one**
 * page: two ; three**

The intensity of hyper-realism is in the essence of this film. As if all organized unions were capable of adequate efficiency. Space isdesigned in laborite ways of codification, and beautifies itself with function:cleanliness. The characters portray the typical appliance as their maximumqualities are magnified. It is named Playtime: at the pace of enjoyment at best, it is exercised showing paramountefficiency and exchange. That only broadens the possibility for chance. In thebar – disco – restaurant, elaborately dressed but structurally unfunctional,the hip cool location becomes the place to be, no one knows why. Could theelegant food and new surrounding be the attraction? Or just the chance inpossibility that such a chaotic event can become so mystique. It is seemingly acomical critique of //“the first time”//and chance for function to take its course. The place: tries to cope with capacity, and the workers: do as they know, but due to the cause of the unfamiliar objects, their senses become distorted by a //modern-mode// of space and its placement. In scenes of the interacting assembly within their surroundings, the unknown become the little funnies in between trails of work and servitude. His clothes rip, even the soles of his shoe, by the end of the night the busy-bodies of exchange has pinned one man outside tagging him with all their material mishaps. The endurance of workers as they try to normalize their actions turns into a curious pace. In which one single room created so much variation and mixture.The social need to socialize.
 * Playtime:**

Initial portraits: “Sometimes reality is to complex, for oral representation” (film) Nueva York, Tokyoland, Alphaville-//Paris//, has made its name virtually prominent even in the eyes of this film. The gloomy mysterious start of an unknown man- Mr. Ivan Johnson from the outlands seeks an interview with Leonard Von Braun inventor of the death ray. “Ransom note: bring back alive or liquidate.” It is quite a simple plot, the investigator seeks what we soon realize is the man in charge of Alphaville. It begins to trigger the intensity between good and evil. On one hand, a genius has invented a system in which the people are heavily influenced by a whole new system or their own education. Vocabulary becomes a necessitating factor of provoking feeling. People are subjected to death as logical action flies them. It is called ALPHA 60, similar to the violation of code 46. People are thought in education systems how to do and be people, working factors of the environment, rather than teaching history; in this case- identity is erased. In the exaggeration of past, being obsolete, it feels as though Mr. Caution’s elimination of Von Braun is an action of a reminiscent past in itself. Rather than allowing the advances in population control, Mr. Von Braun was thought that a ripple effect in his system is needed to absorb a trigger that can essentially inihilate his own beginnings; similar to the single celled organisms that formulate a whole and temperaments its mistakes essentially causing lesser error.
 * Alphaville**
 * 1) Man “over-throwing” machine-tank
 * 2) Freedom of a white dove